| | Carole and Tuesday - 05 en.ass | [PAS] Carole & Tuesday - 05 (WEB 720p AAC) [3E902410]_track3_eng.ass |
00:02 | Default: | It was practically a miracle. | It was practically a miracle. |
00:05 | Default: | It would certainly engraved in the history of Mars as the "Miraculous 7 Minutes." || Miraculous 7 Minutes. | It would certainly go down in the history of Mars as the "Miraculous 7 Minutes". |
00:12 | Default: | This is the story of the two girls who set it all in motion. | This is the story of the two girls who set it all in motion. |
01:51 | Default: | I met Carole and Tuesday, and things has changed. || Uncle Gas who drenched in alcohol, | The middle-aged, alcoholic manager{"person in the business"} Gus,\N who happened upon Carole and Tuesday, |
01:57 | Default: | and a little nice programmer Roddy || started the 1st and 2nd sale launch strategy… | and the kinda cool programmer Roddy each came up with a plan to hit the big time, however— {TLC: i think "pretty cool" works better than "somewhat cool"} |
02:04 | Default: | Wait, wait. Who's drenched in alcohol? | Hold it right there. Who are you calling an alcoholic? || Uh... || Who are you calling cool? |
02:08 | Default: | Who's that? | Uh... |
02:13 | Default: | … why not || The 3rd sale strategy meeting! We will do it! | Now, this is our third meeting on hitting the big time. || Let's do it! |
02:20 | Default: | What, no reaction? | What? Where's the excitement? |
02:22 | NotDefault: | The DJ operation and the video operation failed. | I mean, both the DJ and video plans failed miserably. || Now, now. |
02:26 | Default: | Well, well. | Do you have something up your sleeve?{Heheh, it's funny because he has no sleeves.} |
02:28 | Default: | Do you have a plan? || Of course. The next project… | Of course I do. The next project is... |
02:33 | Default: | Pardon me? || It's a plan. | Operation Hit the Streets.{ドブ板 - comes from a certain kind of political campaigning where polititians will go around trying to spread the word by visiting one house at a time, trying to appear more local/personal}{TLC - } || Huh? |
02:36 | Default: | What? | Uh... |
02:37 | (Default): | | What's that? |
02:39 | NotDefault, Default: | What is it? || Anyway, it's a plan to make you | We'll just have to {\i1}steadily{\i0} put on performance after performance, |
02:42 | Default: | known to the public. | and {\i1}steadily{\i0} get your name out there. |
02:46 | NotDefault: | …I mean, I've never played live concert before. | We've never done a gig before, you know. {TLC: Why not simply "We've never put on a live performance before, you know"?} || What? |
02:51 | Default: | Oh really? | Really? |
02:52 | NotDefault: | I was singing on the bridge, but that's all. | I've sung on the bridge, but that's about it. |
02:56 | Default: | Then let's do it. | All right, challenge accepted. |
02:59 | Default: | The legendary first live! | We'll put on one of those legendary debut performances! || Huh? |
03:03 | NotDefault, Default: | Oh, say something proper… Where are we going to do? || Well, that's… | There you go spouting crap again. || Do you even have a place in mind? || Well that's, y'know... || Winging it?{TLC} |
03:10 | NotDefault, Default: | No plan? || Um… Maybe I ask an acquaintance? | Um, should I ask someone I know? || You know a place? |
03:15 | NotDefault, Default: | Do you have any idea? || It's not like it's a live house. | If we're talking music clubs, I may have one. || Really? |
03:19 | Default: | Wow. || Wait, wait. I have connections. | Hey, hang on. I've got connections too, you know. || Really... |
03:23 | Default, NotDefault: | Yeah… || I'm going to go see Höfner again. || Who? is this?… | I'll give Höfner a visit.{Sigh... This is "Hefner" officially, but the building later spells it this way...} || Höfner? || Who? |
03:29 | Default: | Who? || He's famous organizer of the | A famous organizer in charge of the largest festival on Mars, Cydonia Festival. |
03:33 | Default: | biggest Martian “Sidonia festival”. | He's a big deal in the business. || Really? |
03:37 | Default: | Wow. || Did you ever ask such an appointment? | Can you really get an appointment with him? {TLC: How about just "Can you really get an appointment" for CPS?} |
03:40 | Default: | Appointment? I have never make such a thing. | Appointment? Need nothing of the sort. || Never had one, actually. {TLC: Why not "Never gotten one before"?} |
03:44 | NotDefault: | I suddenly got a bad smell. | Suddenly I don't see this going so well. |
03:47 | Default: | Anyway, did your repertoire has increased, right? | Anyway you two, I hope you've been working on your repertoire. |
03:51 | Default: | It's not funny if you don't have a song to play live. | It'll be no laughing matter if you don't have any songs ready for the gig. |
03:53 | NotDefault: | 3 song now? | Well... I think we have three? || Yeah. |
03:57 | Default: | That's not enough.… | That's nowhere near enough! |
04:04 | Default: | What? | What happened? || A blackout? |
04:06 | Default, NotDefault: | Power outage? || Shit.… It could have been turned off for nonpayment.. | Crap... They might have cut the power! || What?! |
04:10 | Default: | Huh? | Number one priority is money! |
04:11 | NotDefault: | Money ahead of anything! I have to work part time. | I need to get a job! |
04:21 | Default: | Yeah, I know. I'll bring her back. | Yes, I know. I'll definitely bring her back home. |
04:27 | Default: | I'll call you later. | I'll call you again later. Bye. |
04:40 | Default: | What it's like for the first time you work part-time? | I've never had a job before. || What looks good? |
04:43 | NotDefault, Default: | There's not much human recruiting in the first place. || AI does most of the work. || Oh, really? | Well... There aren't many places looking for human help to begin with. || AIs can do most of the work. || I had no idea... |
04:53 | Default: | Oh, this is a cute little Martian grill shop. | Oh, this looks cute. It's a Mars dumpling stand.{but the sign says kasei yaki...} |
04:57 | NotDefault: | A girl with a model's appearance. | Ah, one of those poster girl jobs.{I see this translated as poster girl a lot but it feels like a japanesism to use it this way. basically someone whose job is just to attract customers (lit. sign/billboard girl)} {TLC: Can't think of anything that's equivalent in english really. I think we have to just rephrase. Suggestion: 「Ah, one of those "customer engagement" jobs.」}{QC - Most colloquial I could find... I think it sums it up well enough?} |
05:00 | NotDefault: | This looks interesting too. | Oh, this looks fun. || What is it? |
05:03 | Default, NotDefault: | What? What? || It's an AI pet walk. || Eh… A walk? | Taking AI pets out on walks. || What? Walks? |
05:07 | NotDefault: | It seems that AI will have a neurosis If you do not take care of. | Apparently you have to take care of AI pets or they'll get depressed.{lit. develop neurosis, but I think that's used informally in japanese more than in english} {TLC: Yeah} || Is that so... |
05:12 | Default, NotDefault: | I see. || I've never done it before, but it seems to be easy. | Never done it before, but it seems easy enough. || Can you do it? |
05:16 | Default: | Can you do that? || Leave it to me! | Piece of cake. {TLC: If it's not too liberal, I'd like "No problem" or "Piece of cake" here. Seems more natural and faithful to the intent of the line to me.} |
05:19 | Default: | No, it's not that I fire you. | I'm not saying that I can't leave her in your care. |
05:23 | Default: | Just… I heard from Angela || So I was worried that she could not sing. | It's just that Angela told me about how you won't let her sing properly. {TLC: Suggestion: Change comma on the end of the previous line to a fullstop, and then change this line to "About how you won't let her sing properly."} |
05:30 | Default: | And I was so anxious and did a little research | So I got a bit worried and decided\N to run a background check. || Mr. Tao... |
05:37 | Default: | Mr. Tao || You were originally a brain researcher, | I hear you used to be a neuroscientist, |
05:42 | Default: | and your field of specialization was mind, mind control, etc. | and that you specialized in mind control. |
05:47 | Default: | Tell me if I wrong, but are you thinking about Angela || as experimental material or something? | I certainly hope you're not treating Angela like some kind of lab rat, or something of the sort. |
05:56 | Default: | I'm too checked a little. | I took the liberty of doing some research on you, too. || Huh? |
06:00 | Default: | That you are addicted || to Mars special Androgynous. | I know that you exhibit Martian androgyny,{biological androgyne, intersex. probably better to work intersex in here if we can} |
06:04 | Default: | Also you being arrested twice in the past for injury charges. | and that you've been arrested\N for assault twice in the past. |
06:10 | Default: | That's what you should be worried about. | Frankly, {\i1}I'm{\i0} the one who's worried. |
06:16 | (Default): | | Mama! |
06:17 | Default: | Mama! | |
06:20 | Default: | What? | What's this? |
06:22 | Default: | It's your song. | Your song. Let's go. |
06:25 | Default: | Let's go. || 20 minutes before we arrive. | It'll take us 20 minutes to get there.\NLearn it before we arrive. || Where are we going? |
06:30 | Default: | Where are you going? || It's a marionette sizing. | To have my marionette appraised. |
06:42 | Default: | Just let me go! | Come on, just let me in! |
06:44 | Default: | If you don't have an appointment, we can't let you in. | You cannot enter without an appointment. |
06:47 | Default: | That's why I told you I'm a friend. | I'm telling you, we're pals! |
06:50 | Default: | If you don't have an appointment, we can't let you in. || Seriously? | You cannot enter without an appointment. || Are you serious? |
06:56 | Default: | Oh… Gus? | Ow! Ow, ow, ow! || Gus, is that you? || Oh! Höfner! |
07:00 | Default: | Hey, Höfner ! | What are you doing? |
07:02 | Default: | What are you doing? || Just tell this stupid AI. || Let him go. | Get these damn AIs off me!{lit. say something to these idiot AIs} || Let him go. |
07:09 | (Default): | | Goddamn, that hurts. |
07:10 | Default: | Geez, finally || You became fat | But man, you've put on some weight. |
07:14 | Default: | You, too, a big bald mess. | And look at you, heading towards a chrome dome. {TLC: He's saying that Hofner went bald, but in an insulting way. This is why Hofner complains about the way he said it in the next line. Not sure if there's a way to rephrase this line to reflect the teasing better, so it fits with the next line.} |
07:17 | Default: | Shut up. Don't say that. | Shut up! Don't put it that way! |
07:20 | Default: | Now I'm in a career. | I may not look it, but I've really got it made. |
07:23 | Default: | Oh, I'm really surprised that you're the president. | Yeah, I was really surprised to hear.\N Never expected you'd make it to MD.{company president? fuck if I know the difference} {TLC: It's "managing director"}{QC - Too easy to confuse with doctor?} |
07:27 | Default: | So? Did you come here to talk about old times? | So, are you here to reminisce about the past? |
07:30 | Default: | No way, I'm talking about a progressive business. | Of course not. I want to talk business—\Nright here, right now. |
07:39 | Default: | What a story. I can't afford to be at such a level. | Listen, they're not up to scratch for this place. |
07:43 | Default: | Go somewhere else. | You'd best look somewhere else. {TLC: Why not just "You'd best find some place else"?} |
07:47 | Default: | What a mess… | I swear... || Beth...{full name elizabeth} |
07:49 | Default: | Beth | |
07:50 | Default: | Oh, it's a rare, Roddy. | Now there's a surprise. If it isn't Roddy. || Hi. |
07:54 | Default: | Hello. || I saw you with that Ertegun guy last time. | I saw that Ertegun thing the other day. || That's your AI, isn't it? |
07:59 | Default: | That's your AI, right? | Oh, yeah. |
08:01 | Default: | Yes. | |
08:03 | Default: | You seem to be very active. | You seem to be doing well for yourself. |
08:05 | Default: | I thought you didn't have time to show up in my house. | I assumed you didn't have the time to show your face around here. |
08:09 | Default: | No, please give me a break. | Oh please, go easy on me. || So? |
08:14 | Default: | Well then? || Um… Actually… I do have a request. | Well, the thing is, I kind of have a favor to ask... |
08:32 | Default: | "Intergalactic's" head office. || Yes, sir. | To Intergalactic Head Office. {TLC: "HQ" makes this sound super cheesy to my ears, it made me chuckle. "Head offices" is probably safer.} || Understood. || Intergalactic? |
08:38 | Default: | So "Intergalactic" is that famous hedge fund? || I'm meeting Schwartz. || Schwartz… | You mean that famous hedge fund?{someone save me from this business lingo} || We're going to meet with Schwarz. || Schwarz... |
08:49 | Default: | What do you mean, when you meet the hedge fund king?… | {\i1}We're meeting with that hedge fund mogul? {TLC: How about "We're meeting with that mogul?"} || {\i1}What is he planning? |
09:04 | Default: | So? | And? |
09:06 | Default: | Did you finally feel like coming home, Tao? | Did you finally decide to join us, Tao? |
09:10 | Default: | No, I'm not for that. | No, I'm not here for that. |
09:12 | Default: | How long have you been playing music? | How much longer are you planning on fooling around with music? |
09:16 | Default: | If you and I are together, || we can change the world. | If we join forces, we could turn the world on its head. |
09:22 | Default: | Well, don't be impatient. take your time. | Well, there's no need to rush.\N Take your time thinking it over. {TLC: How about "Take your time thinking it over"?} |
09:27 | Default: | And? Is that a funny story? | So, do you have something interesting for me? |
09:30 | Default: | She's here… || I want to ask for invest in Angela 12 million woolong. | I'd like you invest twelve million woolong\N in this girl here, Angela.{remember, woolong = dollar} || Huh? |
09:36 | Default: | Me? || One. || I'm not interested in humans… | Oh? I thought you had no interest in humans. |
09:41 | Default: | This is something rare. || Don't go with a cappella. | Life truly is full of surprises.{Heh, this actually creates an interesting double entendre.} || You can do it {\i1}a cappella{\i0}, yes? |
09:50 | Default: | Of course. | Naturally. |
09:53 | Default: | Show me… | Then, why don't you show me... |
09:56 | Default: | your value. | What you're worth. |
09:59 | Default: | So! || It's a big newcomer. | I'm telling you, they're rookies showing some real promise! |
10:03 | Default: | I'll give you anything. | I don't care where, just let them perform somewhere. |
10:05 | Default: | How about the next Sidenea Festival | You know, the upcoming Cydonia Festival for example. |
10:08 | Default: | or "Rookie Stage"? Is it? | Why don't you have them perform\Non the rookie stage? Yeah? |
10:13 | Default: | You're telling me these guys… | The girls you're talking about... |
10:15 | Default: | It seems that I did not even seen it in live. | They've never released anything, nor played a single gig. {TLC: How about "They haven't made any releases, let alone put on a concert before"?} |
10:19 | Default: | Hey, wait, wait! || What artist is not a newcomer at first? | Oh, come on. All artists start out as rookies. |
10:24 | Default: | Gas… The new face not different from the amateur. | Gus, there's a difference between rookies and amateurs. |
10:28 | Default: | You understand? | You understand, don't you? This isn't business. |
10:31 | Default: | This is not for business, just a volunteer. | It's simply volunteer work. || Come on, can't you do {\i1}something{\i0}? |
10:35 | Default: | Do something there! || If I don't want to eat, I don't eat. I'm telling you | Kindness doesn't put food on the table. |
10:39 | Default: | If I were the president, I wouldn't be able to do this kind of thing. | You're MD... Can't you afford to take some risks? {TLC: As the other line, "managing director"} || You've got it the wrong way around. |
10:44 | Default: | In reverse, | It's {\i1}because{\i0} the company depends on me |
10:45 | Default: | Because I'm carrying the company back, I can't do anything like I used to do in the past | that I can't be as reckless as I used to be. |
10:51 | Default: | You… | Man... |
10:53 | Default: | You're boring. | This place really has turned you into a suit. {TLC: If there's any good slang to refer to a besuited bore of a person, this is the place.}{QC - Going for like, your rad bandmate is calling you boring. Maybe there's something punchier?} |
10:59 | Default: | I'm going home. I'd like to see you off. | He's leaving. Escort him out politely. |
11:03 | Default: | Huh? | |
11:05 | Default: | Oh… oh… hey! Höfner! | Hey, Höfner! You bastard! |
11:08 | Default: | Maybe I still could act like in old times. | We might have been better off reminiscing about the past. {TLC: Not familiar with this usage, but taking 乗れた here as https://thesaurus.weblio.jp/content/乗れる. How about "Reminiscing about the past might have gone down better instead"?} |
11:11 | Default: | It hurts! Hey, what's wrong? | Ouch, that hurts! What are you doing?! |
11:14 | Default: | The evil of the old days, all may I be exposed! | You want me to expose everything you've done in the past?! || Right back at you. |
11:18 | Default: | We got each other. | I ain't done nothing wrong! |
11:20 | Default: | I didn't do it! || Release this! Oh… | Let me go! You damn... |
11:25 | Default: | If it's okay to do a little, so I can't do anything with the appearance, right? | So I was hoping they could perform, if just a little bit. |
11:30 | Default: | Roddy, this is one of the few independent scenes in existence right now. | Roddy, this is one of few remaining independent clubs. || Right. |
11:37 | Default: | Yes. || Only artists that I admit is sing here. | Only artists with my tick of approval get to perform here. |
11:41 | Default: | You should know. | You know that, don't you? |
11:44 | Default: | I don't know but… | Well, yes, I do. |
11:47 | Default: | There seems to be this. | Oh, I know. Could you have a look at this? |
11:50 | Default: | Could you give a look? This is guys I told you… | I filmed it the other day, and— |
11:52 | Default: | I don't know anything. | I can't get anything from that thing. |
11:55 | Default: | Oh… || I can not hear them with my ear. || Yes… | My ears don't pick up a thing. || Right... |
12:03 | Default: | Roddy, did you hear it with your ears? | Roddy, did {\i1}your{\i0} ears pick it up? |
12:07 | Default: | Not only ears… | I wouldn't say my ears... |
12:11 | Default: | Here. | Here, rather. |
12:13 | Default: | You saying something small and embarrassing. || Oh… I'm sorry. | Why are you getting all sentimental on me?{would "sentimental" work here?} {TLC: I'm fine with that} || I'm sorry. |
12:19 | Default: | If you say so far I may give a chance. | If you have that much faith in them, I'll give them a chance. || Huh? |
12:24 | Default: | Eh… || But only one song. | However, no more than one song. |
12:27 | Default: | At the opening of the weekend band. | As the opening act for another band this weekend.{Assuming the timeframe.} |
12:31 | Default: | Oh, thank you! | Thank you so much! |
12:44 | (Insert Angela): | | {\fad(100,100)\blur2.55\bord1.5\pos(640,25)\c&HD3A945&}If I believe I can do anything || {\fad(100,100)\bord0\blur0.55\pos(640,25)}If I believe I can do anything |
12:48 | (Insert Angela): | | {\fad(100,100)\blur2.55\bord1.5\pos(640,25)\c&HD3A945&}I can move mountains || {\fad(100,100)\bord0\blur0.55\pos(640,25)}I can move mountains |
12:53 | (Insert Angela): | | {\fad(100,100)\blur2.55\bord1.5\pos(640,25)\c&HD3A945&}If I believe I can do anything || {\fad(100,100)\bord0\blur0.55\pos(640,25)}If I believe I can do anything |
12:57 | (Insert Angela): | | {\fad(100,100)\blur2.55\bord1.5\pos(640,25)\c&HD3A945&}I can move mountains || {\fad(100,100)\bord0\blur0.55\pos(640,25)}I can move mountains |
13:02 | (Insert Angela): | | {\fad(100,100)\blur2.55\bord1.5\pos(640,25)\c&HD3A945&}If you're in need || {\fad(100,100)\bord0\blur0.55\pos(640,25)}If you're in need |
13:04 | (Insert Angela): | | {\fad(100,100)\blur2.55\bord1.5\pos(640,25)\c&HD3A945&}Know I'll be your friend || {\fad(100,100)\bord0\blur0.55\pos(640,25)}Know I'll be your friend |
13:06 | (Insert Angela): | | {\fad(100,100)\blur2.55\bord1.5\pos(640,25)\c&HD3A945&}I can move mountains || {\fad(100,100)\bord0\blur0.55\pos(640,25)}I can move mountains |
13:08 | (Insert Angela): | | {\fad(100,100)\blur2.55\bord1.5\pos(640,25)\c&HD3A945&}I can move mountains, yeah || {\fad(100,100)\bord0\blur0.55\pos(640,25)}I can move mountains, yeah |
13:12 | (Insert Angela): | | {\fad(100,100)\blur2.55\bord1.5\pos(640,25)\c&HD3A945&}Anything the world throws at us, I'll be by your side || {\fad(100,100)\bord0\blur0.55\pos(640,25)}Anything the world throws at us, I'll be by your side |
13:15 | (Insert Angela): | | {\fad(100,100)\blur2.55\bord1.5\pos(640,25)\c&HD3A945&}Until we make it out and everything's all right || {\fad(100,100)\bord0\blur0.55\pos(640,25)}Until we make it out and everything's all right |
13:19 | (Insert Angela): | | {\fad(100,100)\blur2.55\bord1.5\pos(640,25)\c&HD3A945&}No matter what I will fight to the end || {\fad(100,100)\bord0\blur0.55\pos(640,25)}No matter what I will fight to the end |
13:23 | (Insert Angela): | | {\fad(100,100)\blur2.55\bord1.5\pos(640,25)\c&HD3A945&}I can move mountains || {\fad(100,100)\bord0\blur0.55\pos(640,25)}I can move mountains |
13:26 | (Insert Angela): | | {\fad(100,100)\blur2.55\bord1.5\pos(640,25)\c&HD3A945&}I can move mountains, yeah || {\fad(100,100)\bord0\blur0.55\pos(640,25)}I can move mountains, yeah |
13:34 | Default: | How is it? | What do you think? |
13:37 | Default: | Open your eyes and have a dream there is a market there | Open your eyes and dream. There you'll find the market.{figure of speech for finding new markets?} {TLC: Can't find anything on google about this being an expression that other people use. What a strange sentence... I honestly have no clue.} |
13:42 | Default: | Mr. Schwartz now? | Mr. Schwarz, are you...{not really sure how to interpret this tbh, lit. is "Mr. Schwarz is currently...?"} {TLC: Wild guess: "ミスター・シュバルツは今夢を見ている?" Why not just have this as "Mr. Schwarz, are you..."?} |
13:47 | Default: | It is a refreshing morning like never before. | It's the most refreshing morning I've ever experienced. || Huh? |
13:51 | Default: | I will give you about 12 million. | Very well. You'll get your twelve million. |
13:56 | (Default): | | Now then. |
13:57 | Default: | Thank you. | |
13:59 | Default: | Tao, I believe in you | Tao. I'm trusting you, understand? |
14:08 | (Default): | | Well? |
14:09 | Default: | What do you think? || I can sing, didn't I? | I sang pretty well, didn't I? |
14:12 | Default: | It was not bad performance. | It wasn't a bad performance. |
14:15 | Default: | But it's far from perfect. | However, it was far from perfect. |
14:23 | Default: | Angie! | Angie! || You don't need to look that worried, Mama. |
14:26 | Default: | Don't make that face mom | But... |
14:28 | Default: | But… || He will invest 12 million for me | He said he'd invest twelve million in me. |
14:30 | Default: | What? 12 million? | What? T-Twelve million? |
14:34 | Default: | All of your promotions will proceed in stealth mode. | Your marketing will all be done covertly. {TLC: "stealth" -> "stealthy"} |
14:38 | Default: | The modern public doesn't like publicity. | The public nowadays doesn't care much for blatant advertising. {TLC: How about "The public nowadays doesn't like to feel like they are being marketed to"?} |
14:42 | Default: | And everyone imprinted your song without knowing your singing… | Unbeknownst to them, they'll all learn of you...{TLC: How about "Before they know it, they will all become subconsciously aware of you"?}{TLC} |
14:47 | Default: | You're going to be a star. | and you'll be a star. |
14:59 | Default: | I'm sorry, that… | Excuse me, um... |
15:03 | Default: | Do you not know this woman? | Have you seen this girl? |
15:06 | Default: | No I'm not a suspicious person. I am her brother… | Oh, I'm not anyone nefarious. I'm her brother. |
15:12 | Default: | It's a shameful story. Sister left home… | I'm ashamed to say that she ran away from home... |
15:17 | Default: | I think that she was around here… | I know she's supposed to be somewhere around here... |
15:20 | Default: | I want to find her and bring back. | I want to find her and take her back home. |
15:28 | Default: | Is that so. || Thank you very much. | I see. || Thank you. |
15:34 | NotDefault: | You can't live really? | No way! You actually got us a gig? |
15:37 | Default: | Well so why not just one song | Well, it's a gig, but it's just one song. || Just a trial kind of thing. |
15:41 | Default, NotDefault: | It feels like trying it. || OK, OK. That's enough. || Hey, what song will you do? | Don't worry, that's just fine. || Hey, what song should we play? |
15:47 | Default: | Hmm… Do you want to make new songs? | Well... Why don't we write a new one? || Good idea. Let's do that. |
15:51 | NotDefault, Default: | How nice! Yes please! || …I mean, is it dark here? | By the way, isn't it a bit dark here? |
15:54 | Default: | Because electricity hasn't turned on yet. | They still haven't turned the power back on. |
15:56 | NotDefault: | Then let's go outside! | All right, let's do it outside! |
16:10 | Default: | Those girls are so passionate. | They're really excited for this thing. || Sure are. |
16:14 | Default: | You bet! || But I wish I was a little better | If only the venue were a little nicer... |
16:18 | Default: | I could not get any promises | I don't want to hear that from the "manager" who wasn't able to secure a single place. |
16:23 | Default: | I do not want to tell the manager | I was so close! |
16:24 | Default: | It was a little more || After a little, this Höfner guy will touch buttocks || and it seems to be decided. | I was so close to landing it,\Nand then Höfner came groping.{came groping [my] ass, though I can't figure out how to fit that in without making it even more awkward than it already is}{Zen zen okay.} || Groping who? |
16:33 | Default: | Whose? || My own. | Me. |
16:35 | Default: | I am a liar. | Though that's a lie. |
16:37 | Default: | What are you talking about? | Wait, which parts? |
16:40 | Default: | Well, you can't have your belly on your back. Let's go! | Well, there's no such thing as a free lunch.\N Let's show them what we've got! |
16:48 | Default: | I couldn't explain to them what they were good. | {\i1}I couldn't find the words to explain to Beth what was so great about them. || {\i1}But that's not surprising. |
16:54 | Default: | Of course. || Because even I myself did not understand well. | {\i1}I didn't understand very well myself. |
16:59 | Default: | I have been living days that have never changed until now. | {\i1}Up until now, I've lived my life the same way day in, day out, |
17:03 | Default: | I felt like it will continue from now on. | {\i1}and I assumed things would continue like that. |
17:08 | Default: | When I saw the performance of these two I felt that something was changed. | {\i1}But when I saw their performance,\NI felt like something was about to change. |
17:13 | Default: | …in fact the reason is | {\i1}Though that's just a justification\NI came up with after the fact. |
17:18 | Default: | Really, the first time I saw them, || I just couldn't hold back my feeling of excitement. | {\i1}Truth be told, I've just been so excited\N since the moment I first saw them play.{TLC} |
17:25 | Default: | Carole and Tuesday, after meeting you guys || My heart rate gone faster | {\i1}Carole, Tuesday... || {\i1}Ever since I met you, I think my heart rate has gone up. |
17:33 | Default: | Or is it just a arrhythmia? | {\i1}Or maybe it's just arrhythmia? |
17:42 | Default: | How you think Bibi goes with such number of people? || Because… | Come on, what are you doing getting so nervous with this many people? || But... |
17:47 | NotDefault: | Tuesday, don't move. | Tuesday, hold still. || Huh? |
17:57 | NotDefault: | I'm really cool. | We're awesome, the two of us.{or maybe "we're nailing this"} {TLC: I think "awesome" is fine} || Let's do this. |
18:02 | NotDefault: | Let's go. | |
18:13 | NotDefault: | It's Carole and Tuesday | We're Carole & Tuesday. |
18:15 | NotDefault: | We have only one song, but please listen if you like. | We'll just be playing one song, but please enjoy. {TLC: "please listen" sounds wierd. I'd like "please enjoy" as a more natural fit for intent} |
18:29 | (Insert): | | {\fad(200,200)\an8\blur0.55}Someday I'll find my way home || {\fad(200,200)\an8\bord2\blur3\c&H37AFF4&\3c&H37AFF4&}Someday I'll find my way home |
18:33 | (Insert): | | {\fad(200,200)\an8\blur0.55}The trees in the wind will lead the way || {\fad(200,200)\an8\bord2\blur3\c&H37AFF4&\3c&H37AFF4&}The trees in the wind will lead the way |
18:38 | (Insert): | | {\fad(200,200)\an8\blur0.55}All of these years on my own || {\fad(200,200)\an8\bord2\blur3\c&H37AFF4&\3c&H37AFF4&}All of these years on my own |
18:43 | (Insert): | | {\fad(200,200)\an8\blur0.55}They flew right by, so what can you say? || {\fad(200,200)\an8\bord2\blur3\c&H37AFF4&\3c&H37AFF4&}They flew right by, so what can you say? |
18:47 | (Insert): | | {\fad(200,200)\an8\blur0.55}There's no need to be sad || {\fad(200,200)\an8\bord2\blur3\c&H37AFF4&\3c&H37AFF4&}There's no need to be sad |
18:52 | (Insert): | | {\fad(200,200)\an8\blur0.55}You're on a path and you know where it heads || {\fad(200,200)\an8\bord2\blur3\c&H37AFF4&\3c&H37AFF4&}You're on a path and you know where it heads |
18:56 | (Insert): | | {\fad(200,200)\an8\blur0.55}There's no need for despair || {\fad(200,200)\an8\bord2\blur3\c&H37AFF4&\3c&H37AFF4&}There's no need for despair |
19:01 | (Insert): | | {\fad(200,200)\an8\blur0.55}Just walk on, and you'll find you're there || {\fad(200,200)\an8\bord2\blur3\c&H37AFF4&\3c&H37AFF4&}Just walk on, and you'll find you're there |
19:05 | (Insert): | | {\fad(200,200)\an8\blur0.55}Someday I'll find the one || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}Someday I'll find the one |
19:10 | (Insert): | | {\fad(200,200)\an8\blur0.55}The trees in the wind will lead the way || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}The trees in the wind will lead the way |
19:14 | (Insert): | | {\fad(200,200)\an8\blur0.55}All of these years alone || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}All of these years alone |
19:19 | (Insert): | | {\fad(200,200)\an8\blur0.55}They flew right by, so what can you say? || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}They flew right by, so what can you say? |
19:23 | (Insert): | | {\fad(200,200)\an8\blur0.55}There's no need to be sad || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}T{*\c&H3B7AC2&\3c&H3B7AC2&}h{*\c&H3B81C9&\3c&H3B81C9&}e{*\c&H3A89D0&\3c&H3A89D0&}r{*\c&H3A90D8&\3c&H3A90D8&}e{*\c&H3998DF&\3c&H3998DF&}'{*\c&H38A0E6&\3c&H38A0E6&}s {\c&H37AFF4&\3c&H37AFF4&}n{*\c&H38A7ED&\3c&H38A7ED&}o {*\c&H3998DF&\3c&H3998DF&}n{*\c&H3A90D8&\3c&H3A90D8&}e{*\c&H3A89D0&\3c&H3A89D0&}e{*\c&H3B81C9&\3c&H3B81C9&}d {\c&H3C72BB&\3c&H3C72BB&}t{*\c&H3B7AC2&\3c&H3B7AC2&}o {*\c&H3A89D0&\3c&H3A89D0&}b{*\c&H3A90D8&\3c&H3A90D8&}e {*\c&H38A0E6&\3c&H38A0E6&}s{*\c&H38A7ED&\3c&H38A7ED&}a{\c&H37AFF4&\3c&H37AFF4&}d |
19:28 | (Insert): | | {\fad(200,200)\an8\blur0.55}You're on a path and you know where it heads || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}Y{*\c&H3C76BF&\3c&H3C76BF&}o{*\c&H3B7AC3&\3c&H3B7AC3&}u{*\c&H3B7EC6&\3c&H3B7EC6&}'{*\c&H3B82CA&\3c&H3B82CA&}r{*\c&H3A86CE&\3c&H3A86CE&}e {*\c&H3A8ED6&\3c&H3A8ED6&}o{*\c&H3993D9&\3c&H3993D9&}n {*\c&H399BE1&\3c&H399BE1&}a {*\c&H38A3E9&\3c&H38A3E9&}p{*\c&H38A7EC&\3c&H38A7EC&}a{*\c&H37ABF0&\3c&H37ABF0&}t{\c&H37AFF4&\3c&H37AFF4&}h {*\c&H38A7EC&\3c&H38A7EC&}a{*\c&H38A3E9&\3c&H38A3E9&}n{*\c&H389FE5&\3c&H389FE5&}d {*\c&H3997DD&\3c&H3997DD&}y{*\c&H3993D9&\3c&H3993D9&}o{*\c&H3A8ED6&\3c&H3A8ED6&}u {*\c&H3A86CE&\3c&H3A86CE&}k{*\c&H3B82CA&\3c&H3B82CA&}n{*\c&H3B7EC6&\3c&H3B7EC6&}o{*\c&H3B7AC3&\3c&H3B7AC3&}w {\c&H3C72BB&\3c&H3C72BB&}w{*\c&H3C77BF&\3c&H3C77BF&}h{*\c&H3B7BC4&\3c&H3B7BC4&}e{*\c&H3B80C8&\3c&H3B80C8&}r{*\c&H3A85CD&\3c&H3A85CD&}e {*\c&H3A8ED5&\3c&H3A8ED5&}i{*\c&H3993DA&\3c&H3993DA&}t {*\c&H399CE2&\3c&H399CE2&}h{*\c&H38A1E7&\3c&H38A1E7&}e{*\c&H38A6EB&\3c&H38A6EB&}a{*\c&H37AAF0&\3c&H37AAF0&}d{\c&H37AFF4&\3c&H37AFF4&}s |
19:32 | (Insert): | | {\fad(200,200)\an8\blur0.55}There's no need to despair || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}T{*\c&H3B7AC2&\3c&H3B7AC2&}h{*\c&H3B81C9&\3c&H3B81C9&}e{*\c&H3A89D0&\3c&H3A89D0&}r{*\c&H3A90D8&\3c&H3A90D8&}e{*\c&H3998DF&\3c&H3998DF&}'{*\c&H38A0E6&\3c&H38A0E6&}s {\c&H37AFF4&\3c&H37AFF4&}n{*\c&H38A8EE&\3c&H38A8EE&}o {*\c&H399BE1&\3c&H399BE1&}n{*\c&H3994DB&\3c&H3994DB&}e{*\c&H3A8DD4&\3c&H3A8DD4&}e{*\c&H3A86CE&\3c&H3A86CE&}d {*\c&H3B79C1&\3c&H3B79C1&}t{\c&H3C72BB&\3c&H3C72BB&}o {*\c&H3B81C9&\3c&H3B81C9&}d{*\c&H3A89D0&\3c&H3A89D0&}e{*\c&H3A90D8&\3c&H3A90D8&}s{*\c&H3998DF&\3c&H3998DF&}p{*\c&H38A0E6&\3c&H38A0E6&}a{*\c&H38A7ED&\3c&H38A7ED&}i{\c&H37AFF4&\3c&H37AFF4&}r |
19:37 | (Insert): | | {\fad(200,200)\an8\blur0.55}Just walk on and you'll find your way there || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}J{*\c&H3C76BF&\3c&H3C76BF&}u{*\c&H3B7AC3&\3c&H3B7AC3&}s{*\c&H3B7EC6&\3c&H3B7EC6&}t {*\c&H3A86CE&\3c&H3A86CE&}w{*\c&H3A8AD2&\3c&H3A8AD2&}a{*\c&H3A8ED6&\3c&H3A8ED6&}l{*\c&H3993D9&\3c&H3993D9&}k {*\c&H399BE1&\3c&H399BE1&}o{*\c&H389FE5&\3c&H389FE5&}n {*\c&H38A7EC&\3c&H38A7EC&}a{*\c&H37ABF0&\3c&H37ABF0&}n{\c&H37AFF4&\3c&H37AFF4&}d {*\c&H38A6EC&\3c&H38A6EC&}y{*\c&H38A2E8&\3c&H38A2E8&}o{*\c&H389EE4&\3c&H389EE4&}u{*\c&H3999E0&\3c&H3999E0&}'{*\c&H3995DC&\3c&H3995DC&}l{*\c&H3A90D8&\3c&H3A90D8&}l {*\c&H3A88CF&\3c&H3A88CF&}f{*\c&H3B83CB&\3c&H3B83CB&}i{*\c&H3B7FC7&\3c&H3B7FC7&}n{*\c&H3B7BC3&\3c&H3B7BC3&}d {\c&H3C72BB&\3c&H3C72BB&}y{*\c&H3C77BF&\3c&H3C77BF&}o{*\c&H3B7BC4&\3c&H3B7BC4&}u{*\c&H3B80C8&\3c&H3B80C8&}r {*\c&H3A89D1&\3c&H3A89D1&}w{*\c&H3A8ED5&\3c&H3A8ED5&}a{*\c&H3993DA&\3c&H3993DA&}y {*\c&H399CE2&\3c&H399CE2&}t{*\c&H38A1E7&\3c&H38A1E7&}h{*\c&H38A6EB&\3c&H38A6EB&}e{*\c&H37AAF0&\3c&H37AAF0&}r{\c&H37AFF4&\3c&H37AFF4&}e |
19:41 | (Insert): | | {\fad(200,200)\an7\blur0.55}Someday I'll find my way home || {\fad(200,200)\an7\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}Someday I'll find my way home || {\fad(200,200)\an9\blur0.55}Someday I'll find the one || {\fad(200,200)\an9\bord2\blur3\c&H37AFF4&\3c&H37AFF4&}Someday I'll find the one |
19:46 | (Insert): | | {\fad(200,200)\an8\blur0.55}The trees in the wind will lead the way || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}T{*\c&H3C77BF&\3c&H3C77BF&}h{*\c&H3B7BC4&\3c&H3B7BC4&}e {*\c&H3A85CD&\3c&H3A85CD&}t{*\c&H3A89D1&\3c&H3A89D1&}r{*\c&H3A8ED5&\3c&H3A8ED5&}e{*\c&H3993DA&\3c&H3993DA&}e{*\c&H3998DE&\3c&H3998DE&}s {*\c&H38A1E7&\3c&H38A1E7&}i{*\c&H38A6EB&\3c&H38A6EB&}n {\c&H37AFF4&\3c&H37AFF4&}t{*\c&H37AAEF&\3c&H37AAEF&}h{*\c&H38A5EA&\3c&H38A5EA&}e {*\c&H399BE1&\3c&H399BE1&}w{*\c&H3996DC&\3c&H3996DC&}i{*\c&H3A90D8&\3c&H3A90D8&}n{*\c&H3A8BD3&\3c&H3A8BD3&}d {*\c&H3B81C9&\3c&H3B81C9&}w{*\c&H3B7CC4&\3c&H3B7CC4&}i{*\c&H3C77C0&\3c&H3C77C0&}l{\c&H3C72BB&\3c&H3C72BB&}l {*\c&H3B7BC4&\3c&H3B7BC4&}l{*\c&H3B80C8&\3c&H3B80C8&}e{*\c&H3A85CD&\3c&H3A85CD&}a{*\c&H3A89D1&\3c&H3A89D1&}d {*\c&H3993DA&\3c&H3993DA&}t{*\c&H3998DE&\3c&H3998DE&}h{*\c&H399CE2&\3c&H399CE2&}e {*\c&H38A6EB&\3c&H38A6EB&}w{*\c&H37AAF0&\3c&H37AAF0&}a{\c&H37AFF4&\3c&H37AFF4&}y |
19:50 | (Insert): | | {\fad(200,200)\an7\blur0.55}All of these years on my own || {\fad(200,200)\an7\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}All of these years on my own || {\fad(200,200)\an9\blur0.55}All of these years alone || {\fad(200,200)\an9\bord2\blur3\c&H37AFF4&\3c&H37AFF4&}All of these years alone |
19:54 | (Insert): | | {\fad(200,200)\an8\blur0.55}They flew right by, so what can you say? || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}T{*\c&H3C77BF&\3c&H3C77BF&}h{*\c&H3B7BC4&\3c&H3B7BC4&}e{*\c&H3B80C8&\3c&H3B80C8&}y {*\c&H3A89D1&\3c&H3A89D1&}f{*\c&H3A8ED5&\3c&H3A8ED5&}l{*\c&H3993DA&\3c&H3993DA&}e{*\c&H3998DE&\3c&H3998DE&}w {*\c&H38A1E7&\3c&H38A1E7&}r{*\c&H38A6EB&\3c&H38A6EB&}i{*\c&H37AAF0&\3c&H37AAF0&}g{\c&H37AFF4&\3c&H37AFF4&}h{*\c&H37AAF0&\3c&H37AAF0&}t {*\c&H38A1E7&\3c&H38A1E7&}b{*\c&H399CE2&\3c&H399CE2&}y{*\c&H3998DE&\3c&H3998DE&}, {*\c&H3A8ED5&\3c&H3A8ED5&}s{*\c&H3A89D1&\3c&H3A89D1&}o {*\c&H3B80C8&\3c&H3B80C8&}w{*\c&H3B7BC4&\3c&H3B7BC4&}h{*\c&H3C77BF&\3c&H3C77BF&}a{\c&H3C72BB&\3c&H3C72BB&}t {*\c&H3B7BC4&\3c&H3B7BC4&}c{*\c&H3B80C8&\3c&H3B80C8&}a{*\c&H3A85CD&\3c&H3A85CD&}n {*\c&H3A8ED5&\3c&H3A8ED5&}y{*\c&H3993DA&\3c&H3993DA&}o{*\c&H3998DE&\3c&H3998DE&}u {*\c&H38A1E7&\3c&H38A1E7&}s{*\c&H38A6EB&\3c&H38A6EB&}a{*\c&H37AAF0&\3c&H37AAF0&}y{\c&H37AFF4&\3c&H37AFF4&}? |
19:59 | (Insert): | | {\fad(200,200)\an8\blur0.55}There's no need to be sad || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}T{*\c&H3B7AC2&\3c&H3B7AC2&}h{*\c&H3B81C9&\3c&H3B81C9&}e{*\c&H3A89D0&\3c&H3A89D0&}r{*\c&H3A90D8&\3c&H3A90D8&}e{*\c&H3998DF&\3c&H3998DF&}'{*\c&H38A0E6&\3c&H38A0E6&}s {\c&H37AFF4&\3c&H37AFF4&}n{*\c&H38A7ED&\3c&H38A7ED&}o {*\c&H3998DF&\3c&H3998DF&}n{*\c&H3A90D8&\3c&H3A90D8&}e{*\c&H3A89D0&\3c&H3A89D0&}e{*\c&H3B81C9&\3c&H3B81C9&}d {\c&H3C72BB&\3c&H3C72BB&}t{*\c&H3B7AC2&\3c&H3B7AC2&}o {*\c&H3A89D0&\3c&H3A89D0&}b{*\c&H3A90D8&\3c&H3A90D8&}e {*\c&H38A0E6&\3c&H38A0E6&}s{*\c&H38A7ED&\3c&H38A7ED&}a{\c&H37AFF4&\3c&H37AFF4&}d |
20:03 | (Insert): | | {\fad(200,200)\an8\blur0.55}You're on the path and you know where it heads || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}Y{*\c&H3C76BF&\3c&H3C76BF&}o{*\c&H3B7AC3&\3c&H3B7AC3&}u{*\c&H3B7EC6&\3c&H3B7EC6&}'{*\c&H3B82CA&\3c&H3B82CA&}r{*\c&H3A86CE&\3c&H3A86CE&}e {*\c&H3A8ED6&\3c&H3A8ED6&}o{*\c&H3993D9&\3c&H3993D9&}n {*\c&H399BE1&\3c&H399BE1&}t{*\c&H389FE5&\3c&H389FE5&}h{*\c&H38A3E9&\3c&H38A3E9&}e {*\c&H37ABF0&\3c&H37ABF0&}p{\c&H37AFF4&\3c&H37AFF4&}a{*\c&H37ABF0&\3c&H37ABF0&}t{*\c&H38A7EC&\3c&H38A7EC&}h {*\c&H389FE5&\3c&H389FE5&}a{*\c&H399BE1&\3c&H399BE1&}n{*\c&H3997DD&\3c&H3997DD&}d {*\c&H3A8ED6&\3c&H3A8ED6&}y{*\c&H3A8AD2&\3c&H3A8AD2&}o{*\c&H3A86CE&\3c&H3A86CE&}u {*\c&H3B7EC6&\3c&H3B7EC6&}k{*\c&H3B7AC3&\3c&H3B7AC3&}n{*\c&H3C76BF&\3c&H3C76BF&}o{\c&H3C72BB&\3c&H3C72BB&}w {*\c&H3B7AC3&\3c&H3B7AC3&}w{*\c&H3B7EC6&\3c&H3B7EC6&}h{*\c&H3B82CA&\3c&H3B82CA&}e{*\c&H3A86CE&\3c&H3A86CE&}r{*\c&H3A8AD2&\3c&H3A8AD2&}e {*\c&H3993D9&\3c&H3993D9&}i{*\c&H3997DD&\3c&H3997DD&}t {*\c&H389FE5&\3c&H389FE5&}h{*\c&H38A3E9&\3c&H38A3E9&}e{*\c&H38A7EC&\3c&H38A7EC&}a{*\c&H37ABF0&\3c&H37ABF0&}d{\c&H37AFF4&\3c&H37AFF4&}s |
20:08 | (Insert): | | {\fad(200,200)\an8\blur0.55}There's no need to despair || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}T{*\c&H3B7AC2&\3c&H3B7AC2&}h{*\c&H3B81C9&\3c&H3B81C9&}e{*\c&H3A89D0&\3c&H3A89D0&}r{*\c&H3A90D8&\3c&H3A90D8&}e{*\c&H3998DF&\3c&H3998DF&}'{*\c&H38A0E6&\3c&H38A0E6&}s {\c&H37AFF4&\3c&H37AFF4&}n{*\c&H38A8EE&\3c&H38A8EE&}o {*\c&H399BE1&\3c&H399BE1&}n{*\c&H3994DB&\3c&H3994DB&}e{*\c&H3A8DD4&\3c&H3A8DD4&}e{*\c&H3A86CE&\3c&H3A86CE&}d {*\c&H3B79C1&\3c&H3B79C1&}t{\c&H3C72BB&\3c&H3C72BB&}o {*\c&H3B81C9&\3c&H3B81C9&}d{*\c&H3A89D0&\3c&H3A89D0&}e{*\c&H3A90D8&\3c&H3A90D8&}s{*\c&H3998DF&\3c&H3998DF&}p{*\c&H38A0E6&\3c&H38A0E6&}a{*\c&H38A7ED&\3c&H38A7ED&}i{\c&H37AFF4&\3c&H37AFF4&}r |
20:13 | Default: | This should be noted. || The audience of the first concert is only 10 people, including me. | {\fad(200,200)\an8\blur0.55}Just walk on and you'll find your way there || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}J{*\c&H3C76BF&\3c&H3C76BF&}u{*\c&H3B7AC3&\3c&H3B7AC3&}s{*\c&H3B7EC6&\3c&H3B7EC6&}t {*\c&H3A86CE&\3c&H3A86CE&}w{*\c&H3A8AD2&\3c&H3A8AD2&}a{*\c&H3A8ED6&\3c&H3A8ED6&}l{*\c&H3993D9&\3c&H3993D9&}k {*\c&H399BE1&\3c&H399BE1&}o{*\c&H389FE5&\3c&H389FE5&}n {*\c&H38A7EC&\3c&H38A7EC&}a{*\c&H37ABF0&\3c&H37ABF0&}n{\c&H37AFF4&\3c&H37AFF4&}d {*\c&H38A6EC&\3c&H38A6EC&}y{*\c&H38A2E8&\3c&H38A2E8&}o{*\c&H389EE4&\3c&H389EE4&}u{*\c&H3999E0&\3c&H3999E0&}'{*\c&H3995DC&\3c&H3995DC&}l{*\c&H3A90D8&\3c&H3A90D8&}l {*\c&H3A88CF&\3c&H3A88CF&}f{*\c&H3B83CB&\3c&H3B83CB&}i{*\c&H3B7FC7&\3c&H3B7FC7&}n{*\c&H3B7BC3&\3c&H3B7BC3&}d {\c&H3C72BB&\3c&H3C72BB&}y{*\c&H3C77BF&\3c&H3C77BF&}o{*\c&H3B7BC4&\3c&H3B7BC4&}u{*\c&H3B80C8&\3c&H3B80C8&}r {*\c&H3A89D1&\3c&H3A89D1&}w{*\c&H3A8ED5&\3c&H3A8ED5&}a{*\c&H3993DA&\3c&H3993DA&}y {*\c&H399CE2&\3c&H399CE2&}t{*\c&H38A1E7&\3c&H38A1E7&}h{*\c&H38A6EB&\3c&H38A6EB&}e{*\c&H37AAF0&\3c&H37AAF0&}r{\c&H37AFF4&\3c&H37AFF4&}e || {\i1}The audience for this pivotal first gig consists of only ten people, including me. |
20:24 | Default: | But in the future these 10 people || will surely boast about being in this place. | {\i1}But these ten will surely go on to have\N bragging rights of saying, "I was there". |
20:33 | Default: | It goes without saying || that I am their first fan. | {\i1}For me, their number one fan, that goes with out saying. |
20:44 | (Insert): | | {\fad(200,200)\an8\blur0.55}Someday I'll find my way home || {\fad(200,200)\an8\bord2\blur3\c&H3C72BB&\3c&H3C72BB&}S{*\c&H3B79C1&\3c&H3B79C1&}o{*\c&H3B80C8&\3c&H3B80C8&}m{*\c&H3A86CE&\3c&H3A86CE&}e{*\c&H3A8DD4&\3c&H3A8DD4&}d{*\c&H3994DB&\3c&H3994DB&}a{*\c&H399BE1&\3c&H399BE1&}y {*\c&H38A8EE&\3c&H38A8EE&}I{\c&H37AFF4&\3c&H37AFF4&}'{*\c&H38A9EE&\3c&H38A9EE&}l{*\c&H38A3E9&\3c&H38A3E9&}l {*\c&H3997DD&\3c&H3997DD&}f{*\c&H3A90D8&\3c&H3A90D8&}i{*\c&H3A8AD2&\3c&H3A8AD2&}n{*\c&H3A84CC&\3c&H3A84CC&}d {*\c&H3C78C1&\3c&H3C78C1&}m{\c&H3C72BB&\3c&H3C72BB&}y {*\c&H3B80C8&\3c&H3B80C8&}w{*\c&H3A86CE&\3c&H3A86CE&}a{*\c&H3A8DD4&\3c&H3A8DD4&}y {*\c&H399BE1&\3c&H399BE1&}h{*\c&H38A1E7&\3c&H38A1E7&}o{*\c&H38A8EE&\3c&H38A8EE&}m{\c&H37AFF4&\3c&H37AFF4&}e |
21:12 | Default: | He he. | |
21:16 | (Default): | | What?!{NANI} |
21:17 | Default: | What!? | |